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Ex­pe­ri­ence sci­ence — re­se­arch yes­ter­day, to­day and to­mor­row in Bre­men

The new an­nu­al ex­hi­bi­ti­on “Re­se­arch Yes­ter­day, To­day, To­mor­row — In­sights in­to Sci­ence in the Sta­te of Bre­men” opens its doors at the “Haus der Wis­sen­schaft Bre­men” and in­vi­tes vi­si­tors to dis­co­ver and mar­vel. From 4 No­vem­ber 2025 to 21 Fe­bru­ary 2026, vi­si­tors can ex­pe­ri­ence how di­ver­se, crea­ti­ve and fu­­tu­re-ori­en­­ted Bre­men’s re­se­arch land­scape is — from […]

When sci­ence tou­ch­es the he­art — in­sights in­to the spe­cial ex­hi­bi­ti­on “Love”

At Uni­ver­sum Bre­men, vi­si­tors are curr­ent­ly en­coun­tering a very spe­cial to­pic: the ex­hi­bi­ti­on “Love — Sci­ence Meets He­art­beat” in­vi­tes you to get to the bot­tom of what is pro­ba­b­ly the most beau­tiful fee­ling in the world. He­re, love is not just view­ed as a ro­man­tic con­s­truct, but as a mul­­ti-face­­ted phe­no­me­non wi­th ma­ny di­men­si­ons: from […]

Ex­pe­ri­ence ma­gic at the Über­see-Mu­se­um Bre­men: A jour­ney bet­ween il­lu­si­on and rea­li­ty

Vi­si­tors to the Über­­­see-Mu­­se­um in Bre­men en­ter a world full of mys­te­ries, sen­sa­ti­ons and sur­pri­ses at the spe­cial ex­hi­bi­ti­on “Ma­gic”. The lo­vin­g­ly staged fairy­ta­le fo­rest, mys­te­rious wit­ches’ hats and fa­sci­na­ting ma­gic shows in­vi­te vi­si­tors to im­mer­se them­sel­ves in the past and pre­sent of ma­gic. The ex­hi­bi­ti­on sheds light on how ma­gic has al­ways oscil­la­ted bet­ween […]

No fri­end of … — Re­dis­co­ve­ring for­got­ten fe­ma­le sculp­tors

Even to­day, the idea per­sists that the­re we­re hard­ly any fe­ma­le ar­tists un­til well in­to the 20th cen­tu­ry — espe­ci­al­ly hard­ly any fe­ma­le sculp­tors. Names such as Kä­the Koll­witz, Re­née Sin­te­nis or Mil­ly Ste­ger are usual­ly men­tio­ned as ra­re ex­cep­ti­ons, si­mi­lar to Pau­la Mo­­der­­sohn-Be­­cker or Ga­brie­le Mün­ter in pain­ting. They are of­ten de­scri­bed as “so­li­ta­ry […]

Cold as Ice — so­cial cri­ti­cism and ar­tis­tic warmth at the We­ser­burg

At the We­ser­burg Mu­se­um of Mo­dern Art in Bre­men, the cur­rent ex­hi­bi­ti­on “Cold as Ice. Cold in Art and So­cie­ty” in­vi­tes vi­si­tors to il­lu­mi­na­te the exis­ten­ti­al di­men­si­on of cold from an ar­tis­tic per­spec­ti­ve. Cold not on­ly stands for low tem­pe­ra­tures, but al­so be­co­mes a sym­bol for so­cial ten­den­ci­es such as emo­ti­on­less­ness, lack of so­li­da­ri­ty and […]

Per­fec­ted sur­faces and so­cial ro­les — Ju­lika Ru­del­i­us at the We­ser­burg

The ex­hi­bi­ti­on “Ju­lika Ru­del­i­us. The Em­per­or’s New Mall” at the We­ser­burg Mu­se­um of Mo­dern Art in­vi­tes vi­si­tors to shar­pen their fo­cus on the play wi­th sur­faces and so­cial sta­gings. Ru­del­i­us, who was born in Co­lo­gne in 1968 and now li­ves in Ams­ter­dam, ex­plo­res the world of ste­reo­ty­pes, sta­tus sym­bols and mi­lieus in her vi­deo works, […]

Boun­da­ries of me­mo­ry: the sound in­stal­la­ti­on “auf­he­ben” by Mi­chae­la Me­lián at the We­ser­burg

In the “Hans Ot­te. Klang­haus” at the We­ser­burg Mu­se­um of Mo­dern Art, vi­si­torsen­coun­ter an ex­tra­or­di­na­ry sound ex­pe­ri­ence: the in­stal­la­ti­on “auf­he­ben” by Mi­chae­la Me­lián in­vi­tes vi­si­tors to ex­pe­ri­ence the di­ver­se mea­nings of the verb “auf­he­ben” in sound. In the in­ter­play of voices and lan­guages, a field of ten­si­on un­folds bet­ween ab­o­li­shing and pre­ser­ving, bet­ween dis­sol­ving and […]

Ima­gi­na­ti­ve pic­tu­re sto­ries — “Flirt and Fan­ta­sy” at the Kunst­hal­le Bre­men

The ex­hi­bi­ti­on “Flirt und Fan­ta­sie — Grif­fel­kunst von Max Klin­ger bis Pe­ter Doig” at the Kunst­hal­le Bre­men in­vi­tes vi­si­tors to ta­ke their ima­gi­na­ti­on on a jour­ney. On dis­play are free­ly nar­ra­ted image se­quen­ces crea­ted using et­ching need­les, li­tho­gra­phic cray­ons, wood or screen prin­ting and pho­to­gra­phy. The fo­cus is on sto­ries wi­th open en­dings, dream worlds, […]

Ro­man­tic lon­gings and an­ci­ent mo­nu­ments — Fried­rich Ner­ly at the Kunst­hal­le Bre­men

The new ex­hi­bi­ti­on “Na­tu­re and An­ti­qui­ty. The Ro­man­tic Fried­rich Ner­ly in Ro­me” at the Kunst­hal­le Bre­men brings to life a pain­ter’s fa­sci­na­ti­on wi­th the light and forms of Ita­ly. Fried­rich Ner­ly mo­ved to Ita­ly at the age of 21, whe­re he work­ed in Ro­me, Ti­vo­li and Ole­va­no and crea­ted im­pres­si­ve dra­wings and wa­ter­co­lours on ex­ten­si­ve […]