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Who am I, thanks to you — An ex­hi­bi­ti­on on grief and fa­re­well at the Kunst­hal­le Ros­tock

Wer bin ich, dank dir — Trau­er und Ab­schied

(Name of the exhibition in the original language)

Wi­th its spe­cial ex­hi­bi­ti­on “Who am I, thanks to you — mour­ning and fa­re­well”, the Kunst­hal­le Ros­tock is de­di­ca­ting its­elf to one of the most uni­ver­sal and at the sa­me time most dif­fi­cult the­mes of hu­man exis­tence: tran­si­ence. The pre­sen­ta­ti­on de­li­bera­te­ly fo­cu­ses on deal­ing wi­th dy­ing, de­ath and mour­ning and shows how the­se ex­pe­ri­en­ces can be used in a meaningful way for life. Th­rough a mul­ti-laye­red ap­proach, the ex­hi­bi­ti­on aims to show dif­fe­rent ways of deal­ing wi­th loss and de­ve­lo­ping new per­spec­ti­ves for co­ming to terms wi­th grief.

The cen­tre­pie­ce of the ex­hi­bi­ti­on is a so­phisti­ca­ted mix of art, per­so­nal sto­ries and in­ter­ac­ti­ve ele­ments that de­li­bera­te­ly crea­tes space for re­flec­tion. This in­no­va­ti­ve com­bi­na­ti­on draws at­ten­ti­on to life in the he­re and now and makes it pos­si­ble to ex­pe­ri­ence the va­lue of one’s own life mo­re con­scious­ly. Par­ti­cu­lar­ly no­te­wor­t­hy is the col­la­bo­ra­ti­on wi­th ex­perts from the field of grief work, such as Anika Wasch­ka­witz from Emo­ti­ons­be­we­gung® and An­drea Schür­gut from Feu­er­ma­le, as well as the fu­n­e­ral di­rec­tor Paul Bruhn, who con­tri­bu­te their prac­ti­cal ex­per­ti­se to the de­sign.

The in­stal­la­ti­on by re­now­ned ar­tist Chi­ha­ru Shio­ta, which was de­ve­lo­ped espe­ci­al­ly for this pro­ject un­der the cu­ra­to­ri­al su­per­vi­si­on of Te­re­za de Ar­ru­da, sets a spe­cial ar­tis­tic ac­cent. The ex­hi­bi­ti­on will be com­ple­men­ted by a com­pre­hen­si­ve sup­port­ing pro­gram­me of work­shops, lec­tures and film scree­nings. In co­ope­ra­ti­on wi­th the Ros­tock book­sel­lers Clau­dia Geig­le and Eli­sa­beth Franck, a wi­de ran­ge of ad­di­tio­nal li­te­ra­tu­re and in­for­ma­ti­on ma­te­ri­al will al­so be ma­de available to in­te­res­ted par­ties and tho­se af­fec­ted, go­ing bey­ond the me­re ex­hi­bi­ti­on ex­pe­ri­ence.

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