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Ur­ban life­style on four wheels — ska­ters & rol­ler­boar­ders be­fo­re and af­ter Ger­man re­uni­fi­ca­ti­on

Ska­ter & Roll­brett­fah­rer vor und nach der Deut­schen Ein­heit

(Name of the exhibition in the original language)

The ex­hi­bi­ti­on at the Haus der Ge­schich­te Bonn shows how skate­boar­ding gai­ned a foot­hold as a sport­ing trend and re­bel­lious life­style in bo­th Ger­man sta­tes from the 1980s on­wards. In the GDR, ska­ters we­re known as “rol­ler­boar­ders” and had to im­pro­vi­se — pro­fes­sio­nal equip­ment was al­most never available. Ska­ting meant free­dom, risk and com­mu­ni­ty and for a long time was main­ly cha­rac­te­ri­sed by men. The ex­hi­bi­ti­on im­pres­ses wi­th pho­to­graphs by Hel­ge Tscharn, Tho­mas Ka­lak and Ha­rald Schmitt: they cap­tu­re the ur­ban at­ti­tu­de to life, the tricks of the ska­ters and the re­ac­tions of the pu­blic. It is par­ti­cu­lar­ly ex­ci­ting to see how ska­ters re­inter­pret and uti­li­se ur­ban spaces such as mo­nu­ments or emp­ty buil­dings for their art.

The crea­ti­vi­ty of East Ger­man ska­ters is do­cu­men­ted, among other things, by a self-ma­de skate­board — a sym­bol of in­ven­ti­ve­ness in times of sc­ar­ci­ty. Do­nald Camp­bell from Düs­sel­dorf laun­ched pro­fes­sio­nal skate­boards on the mar­ket in the 1980s and tou­red num­e­rous skate parks wi­th his board. His le­gen­da­ry board can al­so be seen in the ex­hi­bi­ti­on. Un­til Fe­bru­ary 2026, “Ska­ters & Rol­ler­boar­ders be­fo­re and af­ter Ger­man re­uni­fi­ca­ti­on” of­fers a li­vely in­sight in­to a sce­ne that tells a pie­ce of con­tem­po­ra­ry Ger­man histo­ry from a new per­spec­ti­ve.

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