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The ma­gic uni­corn at the Bar­be­ri­ni Mu­se­um: a fa­sci­na­ting jour­ney th­rough art and myth

Ein­horn. Das Fa­bel­tier in der Kunst

(Name of the exhibition in the original language)

At the Bar­be­ri­ni Mu­se­um in Pots­dam, an ex­cep­tio­nal ex­hi­bi­ti­on de­vo­ted to one of the most fa­sci­na­ting fa­bu­lous crea­tures in cul­tu­ral histo­ry is ope­ning its doors un­til 1 Fe­bru­ary 2026: “Ein­horn. The fa­bu­lous ani­mal in art” pres­ents for the first time on this sca­le the com­plex sym­bo­lism and ar­tis­tic re­pre­sen­ta­ti­on of the uni­corn from An­ti­qui­ty to the pre­sent day. The trail of this my­thi­cal crea­tu­re can be fol­lo­wed across the most di­ver­se cul­tures — from its ori­g­ins in In­dia, via Chi­na, to Eu­ro­pe, whe­re it has play­ed a cen­tral ro­le, par­ti­cu­lar­ly in Chris­ti­an art. The uni­corn has em­bo­di­ed, and con­ti­nues to em­bo­dy, see­mingly con­tra­dic­to­ry cha­rac­te­ristics: free­dom and in­do­mi­ta­bi­li­ty, but al­so pu­ri­ty and in­no­cence, na­tu­ral­ness and ten­der­ness.

The com­ple­te ex­hi­bi­ti­on brings tog­e­ther around 150 works and ob­jects by ma­jor ar­tists such as Al­brecht Dü­rer, Ar­nold Böck­lin, Re­né Magrit­te and con­tem­po­ra­ry po­si­ti­ons from Re­bec­ca Horn to Ma­rie Cé­ci­le Th­ijs. The ran­ge of items on dis­play is im­pres­si­ve: as well as pain­tings and prints, it in­cludes sculp­tures, pre­cious ma­nu­scripts, sump­tuous tapestries, mo­dern vi­deo works and ra­re Kunst­kam­mer ob­jects. In­ter­na­tio­nal len­ders such as the Me­tro­po­li­tan Mu­se­um of Art, the Lou­vre, the Uf­fi­zi Gal­lery and the Ri­jks­mu­se­um have sent their most va­luable re­pre­sen­ta­ti­ons of uni­corns to Pots­dam — ma­ny of which are on­ly lo­an­ed out very ra­re­ly.

The his­to­ri­cal de­ve­lo­p­ment of the idea of the uni­corn is par­ti­cu­lar­ly fa­sci­na­ting: In the Midd­le Ages, no one doub­ted the exis­tence of this crea­tu­re, sin­ce it was con­side­red a bi­bli­cal ani­mal and its al­le­ged horn was pro­of of its rea­li­ty. It was­n’t un­til the 17th cen­tu­ry that na­tu­ra­lists un­mas­ked the­se “uni­corn horns” as nar­whal tee­th. But this sci­en­ti­fic dis­co­very did not di­mi­nish the uni­corn’s ap­peal — on the con­tra­ry: to­day, we en­coun­ter this fa­bu­lous ani­mal ever­y­whe­re in pop cul­tu­re, ad­ver­ti­sing and child­ren’s be­d­rooms. The ex­hi­bi­ti­on at the Mu­seo Bar­be­ri­ni in­vi­tes us to fol­low this “ma­gi­cal crea­tu­re” and un­der­stand why the uni­corn can be seen as the “ori­gin and fu­ture” of our dreams and aspi­ra­ti­ons.

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