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Re­dis­co­very of a sculp­tor: Bri­git­te Mei­er-Den­ning­hoff at the Ber­li­ni­sche Ga­le­rie

Bri­git­te Mei­er-Den­ning­hoff — Skulp­tu­ren und Zeich­nun­gen 1946–1970

(Name of the exhibition in the original language)

The ex­hi­bi­ti­on “Bri­git­te Mei­er-Den­ning­hoff — Sculp­tures and Dra­wings 1946–1970” at the Ber­li­ni­sche Ga­le­rie ho­no­urs one of the most im­portant sculp­tors of the post-war pe­ri­od. Mei­er-Den­ning­hoff (1923–2011) shaped the in­ter­na­tio­nal art world of the 1950s and 1960s wi­th her in­no­va­ti­ve me­tal sculp­tures: her works we­re pre­sen­ted at re­now­ned events such as the do­cu­men­ta in Kas­sel, the Ve­nice Bi­en­na­le and the Worl­d’s Fair in New York. As an ar­tist, she re­cei­ved num­e­rous pri­zes and her works we­re in­cluded in ground­brea­king art pu­bli­ca­ti­ons.

In art histo­ry, Mei­er-Den­ning­hoff was long re­co­g­nis­ed pri­ma­ri­ly as part of the ar­tist duo Matsch­in­sky-Den­ning­hoff, which she foun­ded tog­e­ther wi­th her hus­band in 1970. Wi­th this col­la­bo­ra­ti­on, her ear­ly works, si­gned wi­th her own na­me, fa­ded in­to the back­ground and we­re at­tri­bu­ted to the coll­ec­ti­ve. The cur­rent ex­hi­bi­ti­on now gi­ves Bri­git­te Mei­er-Den­ning­hof­f’s sculp­tures and dra­wings their own voice for the first time in mo­re than 50 ye­ars and em­pha­si­s­es her in­di­vi­du­al ar­tis­tic po­si­ti­on. The ba­sis for the show was a com­pre­hen­si­ve eva­lua­ti­on of her ar­tis­tic es­tate, which is now ma­na­ged by the Matsch­in­sky-Den­ning­hoff Foun­da­ti­on un­der the um­brel­la of the Ber­li­ni­sche Ga­le­rie.

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