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Que­er Mo­der­nism 1900 to 1950 — In­sights in­to an al­ter­na­ti­ve histo­ry of mo­der­nism

Que­e­re Mo­der­ne 1900 bis 1950

(Name of the exhibition in the original language)

Wi­th the ex­hi­bi­ti­on “Que­er Mo­der­nism. 1900 to 1950”, the Kunst­samm­lung Nord­rhein-West­fa­len at K20 is pre­sen­ting the first com­pre­hen­si­ve show in Eu­ro­pe tovi­sua­li­sethe for­ma­ti­ve con­tri­bu­ti­on of que­er wo­men ar­tiststo the de­ve­lo­p­ment of mo­der­nism. Over 130 works by 34 in­ter­na­tio­nal fe­ma­le ar­tists- in­clu­ding pain­tings, dra­wings, pho­to­graphs, sculp­tures, films, li­te­ra­tu­re and his­to­ri­cal do­cu­ments — open up a new per­spec­ti­ve on the first half cen­tu­ry of the 20th cen­tu­ry. Names such as Clau­de Cahun, Han­nah Höch, Jean Coc­teau, Ro­maine Brooks, Mar­low Moss and Rich­mond Bar­thé ex­em­pli­fy the di­ver­si­ty and so­cial and ar­tis­tic com­mit­ment of the­se ar­tists. The ex­hi­bi­ti­on fo­cu­ses on the­mes such as de­si­re, gen­der, se­xua­li­ty and po­li­ti­cal self-pre­sen­ta­ti­on, but al­so on the ex­pe­ri­en­ces of que­er life bet­ween war, per­se­cu­ti­on and eman­ci­pa­ti­on.

The ex­hi­bi­ti­on not on­ly tells of ar­tis­tic in­no­va­ti­on, but al­so il­lus­tra­tes how al­ter­na­ti­ve life­styl­es ga­ve ri­se to new vi­su­al lan­guages and aes­the­tic per­spec­ti­ves. Con­cepts such as the “ab­oli­ti­on of the gen­der bi­na­ry” or “que­er avant-gar­des” re­flect the uto­pian spi­rit of the time and vi­sua­li­se the enorm­ous po­ten­ti­al of que­er per­spec­ti­ves for the de­ve­lo­p­ment of mo­dern art. Wi­th this ex­hi­bi­ti­on, the Kunst­samm­lung NRW is ope­ning up an im­portant dis­cus­sion about vi­si­bi­li­ty, di­ver­si­ty and the need to broa­den our view of the ca­non and histo­ry of mo­der­nism.

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