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Pre­ser­ving the set­ting — in­sights in­to the res­to­ra­ti­on of the “Four Sea­sons”

Die Fas­sung be­wah­ren — Die Re­stau­rie­rung der „Vier Jah­res­zei­ten“

(Name of the exhibition in the original language)

The Mu­se­um für Kunst & Ge­wer­be Ham­burg is curr­ent­ly pre­sen­ting the ex­tra­or­di­na­ry res­to­ra­ti­on of the art­work “Four Sea­sons”. The work, crea­ted by Chris­toph Er­tel around 1715 in Zit­tau, Sa­x­o­ny, is one of the mu­se­um’s most im­portant ex­hi­bits and im­pres­ses wi­th its rich histo­ry and de­li­ca­te pain­ting tech­ni­que. The ex­hi­bi­ti­on vi­vid­ly do­cu­ments the in­di­vi­du­al steps of the leng­thy con­ser­va­ti­on pro­cess, from the careful ex­ami­na­ti­on of the pre­ser­ved co­lour ver­si­ons to the ela­bo­ra­te res­to­ra­ti­on me­a­su­res. Pho­to­graphs and vi­de­os from the res­to­ra­ti­on work­shops of the MK&G pro­vi­de fa­sci­na­ting in­sights in­to the me­ti­cu­lous work of the res­to­rers and show the trans­for­ma­ti­on of the art­work, which is res­to­red to new sple­ndour af­ter ye­ars of sto­rage.

The ex­hi­bi­ti­on con­veys not on­ly the tech­ni­cal chal­lenges, but al­so the emo­tio­nal di­men­si­on as­so­cia­ted wi­th the pre­ser­va­ti­on of such a his­to­ric work. Vi­si­tors learn about the va­rious pro­ces­ses used to pro­tect lay­ers of co­lour and res­to­re them to their ori­gi­nal sta­te. At the sa­me time, the ex­hi­bi­ti­on rai­ses ques­ti­ons about the re­spon­si­bi­li­ty of mu­se­um con­ser­va­ti­on and the im­portance of au­then­tic pre­sen­ta­ti­on. The in­ter­play of tra­di­ti­on and in­no­va­ti­on makes it clear how im­portant it is to “pre­ser­ve the set­ting” — and at the sa­me time to en­ga­ge in a li­vely cul­tu­ral dia­lo­gue about the va­lue of sus­tainable res­to­ra­ti­on.

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