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Ma­king Histo­ry: Hans Ma­kart and the Sa­lon Pain­ting of the 19th Cen­tu­ry

Ma­king Histo­ry

(Name of the exhibition in the original language)

Wi­th the ex­hi­bi­ti­on “Ma­king Histo­ry”, the Ham­bur­ger Kunst­hal­le pres­ents a spec­ta­cu­lar look back at the de­ve­lo­p­ment of art in the 19th cen­tu­ry. At the cent­re is the mu­se­um’s lar­gest pain­ting, “The Ent­ry of Charles V in­to Ant­werp” (1878) by Hans Ma­kart. Af­ter four ye­ars, this 50 squa­re met­re work re­turns to the Ma­kart Hall and on­ce again casts a spell over vi­si­tors. The mo­nu­men­tal pain­ting is not on­ly re­gard­ed as the pin­na­cle of his­to­ri­cist pain­ting, but is al­so one of the Kunst­hal­le’s most im­portant iden­ti­fi­ca­ti­on pic­tures, the ac­qui­si­ti­on of which in 1879 pro­vi­ded strong im­pe­tus for the mu­se­um’s de­ve­lo­p­ment.

Sur­roun­ded by around 60 other pain­tings and sculp­tures — in­clu­ding ma­ny of the Kunst­hal­le’s foun­ding works — vi­si­tors are im­mer­sed in the di­ver­si­ty and con­tra­dic­tions of an era that was cha­rac­te­ri­sed by pro­gress and scan­dal in equal me­a­su­re. An artful­ly staged pre­sen­ta­ti­on wi­th block-li­ke han­ging on vel­vet wall co­ve­rings brings the gal­lery am­bi­ence of the 19th cen­tu­ry to life. The ex­hi­bi­ti­on in­vi­tes vi­si­tors to view the works wi­th bo­th plea­su­re and cri­ti­cism and to re­flect on their own view of art and histo­ry.

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