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Li­ving Trans­for­ma­ti­on — Ta­dá­s­kía in the Kunst­samm­lung Nord­rhein-West­fa­len

Ta­dá­s­kía — Preis­trä­ge­rin K21 Glo­bal Art Award 2025

(Name of the exhibition in the original language)

Wi­th the K21 Glo­bal Art Award 2025, the Kunst­samm­lung Nord­rhein-West­fa­len is ho­no­u­ring the Bra­zi­li­an ar­tist Ta­dá­s­kía (*1993 in Rio de Ja­nei­ro), who­se mul­ti-laye­red work has at­trac­ted in­ter­na­tio­nal at­ten­ti­on. Wi­th “brin­can­do ani­ma­da: tra­ves­ti ma­ri­po­sa cen­to­peia / ani­ma­ted play: tra­ves­ti mo­th cen­ti­pe­de”, the ex­hi­bi­ti­on pres­ents a site-spe­ci­fic in­stal­la­ti­on that stages the in­ter­play of dra­wing and sculp­tu­re in a spe­cial way. Ta­dá­s­kía paints a se­mi-abs­tract image di­rect­ly on­to the wall and com­ple­ments it wi­th new­ly crea­ted sculp­tures ma­de from ta­boa, a reed-li­ke plant tra­di­tio­nal­ly used in Afro-In­di­ge­nous com­mu­ni­ties. The ar­tist sees her work as an in­vi­ta­ti­on to wan­der bet­ween the fa­mi­li­ar and the stran­ge and to ques­ti­on so­cial norms and gen­der ro­les. Her works ta­ke up Afro-trans­gen­der cos­mo­lo­gi­cal nar­ra­ti­ves and bring the past, trans­for­ma­ti­on and self-per­cep­ti­on to life.

Dra­wing ta­kes cent­re stage: traces of pas­tel, spray, gra­phi­te and char­co­al are trans­for­med in­to mys­te­rious and in­ti­ma­te ges­tu­res. The sculp­tu­ral works from Ta­boa, which spread out ka­lei­do­sco­pi­cal­ly in the room, ex­pand the wall dra­wing and crea­te a sen­su­al re­flec­tion on gen­der flui­di­ty, so­cial at­tri­bu­ti­ons and the power of ima­gi­na­ti­on and iden­ti­ty. Ta­dá­s­kí­a’s work has al­re­a­dy be­en re­co­g­nis­ed in­ter­na­tio­nal­ly in re­now­ned in­sti­tu­ti­ons such as the Mu­se­um of Mo­dern Art in New York and the Bie­nal de São Pau­lo. Wi­th her per­spec­ti­ve, she is now en­ri­ching the coll­ec­tion of the Kunst­samm­lung Nord­rhein-West­fa­len and ma­king a con­vin­cing state­ment in fa­vour of di­ver­si­ty and con­tem­po­ra­ry art from La­tin Ame­ri­ca.

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