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Fri­end re­quest no. 3 — Mar­kus Kar­stieß at the Von der Heydt-Mu­se­um Wup­per­tal

Mar­kus Kar­stiess — Freund­schafts­an­fra­ge No. 3

(Name of the exhibition in the original language)

Wi­th the ex­hi­bi­ti­on “Fri­end­ship Re­quest No. 3”, the Von der Heydt-Mu­se­um is fo­cus­sing on the re­now­ned sculp­tor Mar­kus Kar­stieß, who brings the tra­di­tio­nal ma­te­ri­al of cera­mics in­to the pre­sent day wi­th uni­que vir­tuo­si­ty. Kar­stieß’ sculp­tures im­press wi­th their mo­nu­men­tal di­men­si­ons and fa­sci­na­ting, of­ten enig­ma­tic sur­faces, who­se iri­de­s­cent gla­zes ap­pear pain­ter­ly, the forms idio­syn­cra­tic and so­me­ti­mes dis­tur­bing. They mo­ve in the field of ten­si­on bet­ween man and my­thi­cal crea­tu­re, bet­ween fi­gu­ra­ti­on and abs­tract form and in­vi­te us to ques­ti­on the boun­da­ries of the fa­mi­li­ar.

The “Fri­end­ship Re­quest” ex­hi­bi­ti­on se­ries aims tobringcon­tem­po­ra­ry fe­ma­le ar­tistsin­to dia­lo­gue wi­th the works of clas­si­cal mo­der­nism in the mu­se­um’s rich hol­dings. Mar­kus Kar­stieß does not fo­cus on spe­ci­fic styl­es or epochs, but looks for per­so­nal points of cont­act and par­al­lels in the ar­tis­tic ap­proach that mo­ve him emo­tio­nal­ly — in ma­ny ca­ses, and sur­pri­sin­gly, espe­ci­al­ly in the pain­tings of ar­tistssuch as Ed­vard Munch and Pau­la Mo­der­sohn-Be­cker. In this way, his sta­ging crea­tes an in­spi­ring ex­ch­an­ge bet­ween cera­mics and the main works of the mu­se­um, which en­ables in­no­va­ti­ve per­spec­ti­ves on art and of­fers fresh im­pul­ses for one’s own per­cep­ti­on of art.

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