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Di­gi­tal worlds and AI ex­pe­ri­ments: The ex­hi­bi­ti­on “Jon Raf­man” at K21 of the Kunst­samm­lung NRW

Jon Raf­man

(Name of the exhibition in the original language)

Jon Raf­man, born in Mont­re­al in 1981 and now li­ving in Los An­ge­les, is re­gard­ed as one of the pio­nee­ring ar­tists of the di­gi­tal age. Sin­ce the 2010s, Raf­man has be­en ex­plo­ring and re­flec­ting on the vi­su­al lan­guage of the in­ter­net in his vi­de­os and films — bo­th eu­pho­ri­cal­ly and cri­ti­cal­ly. In a crea­ti­ve ex­ch­an­ge wi­th mu­sic, pop cul­tu­re, fa­shion and de­sign, Raf­man con­ti­nuous­ly de­ve­lo­ps new ima­ging pro­ces­ses that il­lu­mi­na­te the re­la­ti­onship bet­ween man and tech­no­lo­gy in an ex­ci­ting way. The cur­rent ex­hi­bi­ti­on at K21 of­fers a com­pre­hen­si­ve over­view of Raf­man’s work sin­ce 2008, in­clu­ding the ico­nic pro­jects “Ni­ne Eyes of Goog­le Street View” and “Kool Aid Man in Se­cond Life”, as well as the ex­pe­ri­men­tal “Dream Jour­nal”.

Raf­man’s la­test pro­ject “Main­stream Me­dia Net­work” is at the cent­re of the ex­hi­bi­ti­on. This is a mu­sic te­le­vi­si­on chan­nel that is curr­ent­ly be­ing set up, wi­th which Raf­man is re­inter­pre­ting the le­gen­da­ry MTV of the 1980s using sta­te-of-the-art AI tech­no­lo­gies. This in­no­va­ti­ve pro­ject not on­ly il­lus­tra­tes the pos­si­bi­li­ties of ar­ti­fi­ci­al in­tel­li­gence in art, but al­so opens up a dia­lo­gue about the im­pact of di­gi­tal me­dia on so­cie­ty. The ex­hi­bi­ti­on will be com­ple­men­ted by a di­ver­se pro­gram­me of lec­tures and edu­ca­tio­nal events de­si­gned to pro­mo­te me­dia li­ter­acy among young peo­p­le in par­ti­cu­lar, thus ide­al­ly roun­ding off Raf­man’s ar­tis­tic ex­plo­ra­ti­on of new di­gi­tal rea­li­ties.

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