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Dia­ne Ar­bus: Con­stel­la­ti­ons — In­sight in­to the vi­sio­na­ry work of a pho­to­gra­phy pio­neer

Dia­ne Ar­bus: Kon­stel­la­tio­nen

(Name of the exhibition in the original language)

Wi­th the ex­hi­bi­ti­on Dia­ne Ar­bus: Con­stel­la­ti­ons, the Gro­pi­us Bau is pre­sen­ting the most com­pre­hen­si­ve ex­hi­bi­ti­on to date of the work of one of the most in­flu­en­ti­al ar­tists of the 20th cen­tu­ry. Wi­th her ex­pres­si­ve black and white pho­to­graphs, Dia­ne Ar­bus has ra­di­cal­ly chal­len­ged aes­the­tic con­ven­ti­ons and ope­ned up new per­spec­ti­ves. The sur­vey ex­hi­bi­ti­on shows 454 pho­to­graphs — ma­ny of them pu­blic for the first time — which opens up a broad spec­trum of her work. Her fo­cus is on cou­ples, child­ren, drag per­for­mers, sub­ur­ban fa­mi­lies and fa­mous per­so­na­li­ties such as Mae West and Ja­mes Brown, but abo­ve all on ever­y­day and ex­tra­or­di­na­ry life in the United Sta­tes in the post-war pe­ri­od.

The re­tro­s­pec­ti­ve at the Gro­pi­us Bau un­folds as a la­by­rin­thi­ne con­stel­la­ti­on of images and dis­pen­ses wi­th tra­di­tio­nal or­ga­ni­sa­tio­nal pat­terns such as chro­no­lo­gy or the­mes. Vi­si­tors are in­vi­ted to wan­der free­ly bet­ween the pho­to­graphs, to dis­co­ver re­so­nan­ces and re­la­ti­onships bet­ween the mo­tifs and to be in­spi­red by the di­ver­si­ty and in­ten­si­ty of the work. Dia­ne Ar­bus work­ed pri­ma­ri­ly in New York Ci­ty and crea­ted a mul­ti-laye­red por­trait of her time that con­ti­nues to fa­sci­na­te and chall­enge to­day.

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