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Clo­se En­ough — Wo­men’s per­spec­ti­ves on clo­sen­ess and di­stance: Ma­gnum pho­to­graph­ers at C/O Ber­lin

Clo­se En­ough — Per­spec­ti­ves by Wo­men Pho­to­graph­ers of Ma­gnum

(Name of the exhibition in the original language)

The ex­hi­bi­ti­on “Clo­se En­ough — Per­spec­ti­ves by Wo­men Pho­to­graph­ers of Ma­gnum” at C/O Ber­lin im­pres­si­ve­ly pres­ents the pho­to­gra­phic works of twel­ve fe­ma­le pho­to­graph­ers from the re­now­ned Ma­gnum Pho­tos agen­cy. From 27 Sep­tem­ber 2025 un­til Ja­nu­ary 2026, the ex­hi­bi­ti­on will fo­cus on the ques­ti­on of clo­sen­ess and the re­la­ti­onship bet­ween fe­ma­le pho­to­graph­ers and their sub­jects — a the­me that gi­ves a who­le new mea­ning to Ro­bert Ca­pa’s fa­mous quo­te, “If your pic­tures are­n’t good en­ough you’­re not clo­se en­ough”. Clo­sen­ess is not re­du­ced to phy­si­cal di­stance he­re, but is un­ders­tood as a com­plex con­nec­tion, trust and com­pli­ci­ty. The works tell of in­ti­ma­cy and be­lon­ging as well as of stran­gen­ess, vul­nerabi­li­ty and power re­la­ti­ons, thus al­so ques­tio­ning the com­mon as­sump­ti­on that phy­si­cal clo­sen­ess is syn­ony­mous wi­th trans­pa­ren­cy.

Ac­com­pa­nied by per­so­nal texts by the pho­to­graph­ers and a spe­ci­al­ly pro­du­ced au­dio gui­de, the ex­hi­bi­ti­on pro­vi­des in­sights in­to a wi­de ran­ge of pho­to­gra­phic ap­proa­ches — from long-term pro­jects, such as Ales­san­dra San­gui­net­ti’s long-term stu­dy in rural Ar­gen­ti­na, to My­ri­am Bou­los’ so­ci­al­ly tur­bu­lent se­ries in Le­ba­non and cri­ti­cal ana­ly­ses of re­pre­sen­ta­ti­on, power and self-em­power­ment by Han­nah Pri­ce, Cris­ti­na de Mid­del and others. “Clo­se En­ough” shows how pho­to­gra­phy from a fe­ma­le per­spec­ti­ve shapes cur­rent de­ba­tes about be­lon­ging, phy­si­cal­i­ty and ar­tis­tic self-de­ter­mi­na­ti­on.

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