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Carl­fried­rich Claus at the Kunst­samm­lun­gen Chem­nitz: On the edge of the now, on the edge of the he­re

Carl­fried­rich Claus

(Name of the exhibition in the original language)

The cur­rent ex­hi­bi­ti­on at the Kunst­samm­lun­gen Chem­nitz is de­di­ca­ted to the fa­sci­na­ting work of Carl­fried­rich Claus, an ar­tist who spent his life ex­plo­ring the depths of the hu­man sub­con­scious. His search for how hid­den forces of con­scious­ness ma­ni­fest them­sel­ves in writ­ten and spo­ken lan­guage ta­kes cent­re stage. In an on­go­ing self-ex­pe­ri­ment, Claus de­ve­lo­ped dra­wings and prints that vi­sua­li­se thought pro­ces­ses and af­fec­ti­ve mo­ve­ments. In the 1980s in par­ti­cu­lar, his in­te­rest shifted to acou­stic works. He­re he ex­pe­ri­men­ted wi­th pre-lin­gu­i­stic sounds in or­der to cap­tu­re the mo­ments that pre­ce­de the con­scious ar­ti­cu­la­ti­on of mea­ning.

A high­light of the ex­hi­bi­ti­on is the re­con­s­truc­tion of the so-cal­led “sound pro­cess room”, which Claus de­ve­lo­ped in 1995. This in­ter­ac­ti­ve sound art­work al­lows vi­si­tors to ac­tively con­trol the sounds th­rough their own mo­ve­ments. In com­bi­na­ti­on wi­th the works on pa­per, the ex­hi­bi­ti­on in­vi­tes vi­si­tors to im­mer­se them­sel­ves in the ar­tis­t’s mul­ti-laye­red cos­mos of thought and dis­co­ver new per­spec­ti­ves on lan­guage, con­scious­ness and art.

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