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Bet­ween he­ro­ism and abyss: the ex­hi­bi­ti­on “Her­cu­les — Hero and An­ti­he­ro” at the Al­ber­ti­num Dres­den

Her­ku­les – Held und An­ti­held

(Name of the exhibition in the original language)

The new ex­hi­bi­ti­on at the Al­ber­ti­num of the Staat­li­che Kunst­samm­lun­gen Dres­den is de­di­ca­ted to one of the most fa­sci­na­ting fi­gu­res of an­ti­qui­ty: Her­cu­les, known as Hera­cles in Greek. For cen­tu­ries, his sto­ries have in­spi­red ar­tists and thin­kers ali­ke. In the ex­hi­bi­ti­on “Her­cu­les — Hero and An­ti­he­ro”, vi­si­tors can ex­pe­ri­ence the en­ti­re spec­trum of this am­bi­va­lent cha­rac­ter — from the tri­um­phant con­que­r­or of the Ne­me­an li­on to the fai­led sin­ner who re­mains in a con­flict bet­ween good and evil. Sculp­tures, pain­tings, prints and works of art il­lus­tra­te the ro­le of the de­mi­god in Eu­ro­pean art histo­ry, from im­pres­si­ve he­roic deeds to co­mic and tra­gic mo­ments.

The ex­hi­bi­ti­on ma­na­ges to con­vey the tim­e­l­ess fa­sci­na­ti­on wi­th Her­cu­les in a playful and en­ter­tai­ning way, while al­ways po­sing the ques­ti­on of our cur­rent un­der­stan­ding of he­ro­ism. Who are the he­roes of our time and what makes a re­al hero? Wi­th ima­gi­na­ti­ve sto­ries and cle­ver­ly sel­ec­ted works of art, the ex­hi­bi­ti­on spans thou­sands of ye­ars — from an­ci­ent ori­g­ins to Ro­man va­ria­ti­ons and mo­dern in­ter­pre­ta­ti­ons. Whe­ther as a mus­cu­lar figh­ter, a vic­tim of his own an­ger or in unu­su­al ro­les such as ser­ving in wo­men’s clot­hing: Her­cu­les re­mains an in­spi­ring fi­gu­re bet­ween strength and we­ak­ne­ss.

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