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Bet­ween eman­ci­pa­ti­on and mo­nu­men­ta­li­ty: the Su­san­ne Kandt-Horn ex­hi­bi­ti­on at the Kunst­hal­le Ros­tock

Su­san­ne Kandt-Horn

(Name of the exhibition in the original language)

The Kunst­hal­le Ros­tock is de­di­ca­ting its cur­rent ex­hi­bi­ti­on to the ar­tist Su­san­ne Kandt-Horn (1914–1996) and is shed­ding light on fe­ma­le ar­tis­tic po­si­ti­ons in the GDR. Kandt-Horn had an ex­tra­or­di­na­ry ta­lent for ar­tis­ti­cal­ly ques­tio­ning and re­de­fi­ning so­ci­al­ly moul­ded images of fe­min­in­i­ty. While her works we­re of­ten re­jec­ted at the be­gin­ning of her care­er, she gai­ned in­cre­asing pu­blic re­co­gni­ti­on from the 1970s on­wards. The ex­hi­bi­ti­on fo­cu­ses not on­ly on the sty­li­stic de­ve­lo­p­ment of the pain­ter and gra­phic ar­tist, but al­so on the spe­cial per­cep­ti­on and ca­te­go­ri­sa­ti­on of fe­ma­le art in the ma­le-do­mi­na­ted art land­scape of the GDR.

Kandt-Horn’s lar­ge-for­mat pain­tings, which fo­cus on the mo­nu­men­tal and sub­li­me, are im­pres­si­ve. Un­li­ke ma­ny of her con­tem­po­r­a­ri­es, she ra­re­ly work­ed in small for­mats, pre­fer­ring can­va­ses at least one met­re in si­ze and of­ten in se­ve­ral parts — a choice of for­mat that was usual­ly re­ser­ved for ma­le ar­tists at the time. Alt­hough her pic­to­ri­al worlds re­vol­ve around fe­ma­le mo­tifs, she con­scious­ly elu­des the usu­al la­bel­ling and ste­reo­ty­pes of so-cal­led “wo­men’s art”. Against the back­drop of cur­rent dis­cus­sions about fe­mi­nism and gen­der iden­ti­ties, the ex­hi­bi­ti­on en­cou­ra­ges re­flec­tion on her image of wo­men and the bo­dy and in­vi­tes the pu­blic to en­ter in­to an open dis­cour­se wi­th the works. The sup­port­ing pro­gram­me pro­vi­des space for plu­ra­li­stic de­ba­tes and deepens the dis­cus­sion wi­th a di­ver­se pu­blic.

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