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Ba­ro­que flo­ral sple­ndour: the B{L}OOMING ex­hi­bi­ti­on at the Wall­raf-Rich­artz-Mu­se­um

B{L}OOMING — Ba­ro­cke Blü­ten­pracht

(Name of the exhibition in the original language)

From 6 Ju­ne 2025 to 31 May 2026, the Wall­raf-Rich­artz-Mu­se­um in Co­lo­gne is ce­le­bra­ting the fa­sci­na­ting di­ver­si­ty of Ba­ro­que flower pain­ting wi­th the ex­hi­bi­ti­on “B{L}OOMING — Ba­ro­que Flower Sple­ndour”. Ro­ses, tu­li­ps and car­na­ti­ons we­re not on­ly used for de­co­ra­ti­ve pur­po­ses in the Ba­ro­que pe­ri­od, but we­re al­so used as re­me­dies and sym­bols of love, faith and loyal­ty. The ar­tists of this era immor­ta­li­sed this eph­emeral be­au­ty in ma­gni­fi­cent pain­tings, so­me of which co­me from pri­va­te coll­ec­tions and so­me of which have be­en new­ly re­se­ar­ched or re­cent­ly res­to­red. The in­no­va­ti­ve “flower trail” al­so leads vi­si­tors from the ex­hi­bi­ti­on to the per­ma­nent coll­ec­tion, whe­re fur­ther bloo­ming mas­ter­pie­ces can be dis­co­ver­ed.

A par­ti­cu­lar high­light of “B{L}OOMING” is the look at the emer­gence of flower pain­ting as an in­de­pen­dent mo­tif around 1600 in Fland­ers. From he­re, the gen­re spread th­roug­hout Eu­ro­pe and found out­stan­ding re­pre­sen­ta­ti­ves such as Da­ni­el Seg­hers, Jan Brueg­hel the El­der, Adriaen Coor­te, Ro­elant Sa­very, Gio­van­ni Stanchi and Pe­ter Bi­noit. Their works still shi­ne as co­lourful­ly to­day as they did four hundred ye­ars ago. The ex­hi­bi­ti­on is com­ple­men­ted by a con­stant­ly fresh­ly ar­ran­ged bou­quet of flowers pre­sen­ted by flo­rists who can ac­tively ap­p­ly — a li­ving homage to the tim­e­l­ess flo­ral sple­ndour of past cen­tu­ries.

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