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Avant-gar­de and Im­pres­sio­nism — Max Lie­ber­mann at the Mu­se­um Bar­be­ri­ni Pots­dam

Avant­gar­de. Max Lie­ber­mann und der Im­pres­sio­nis­mus in Deutsch­land

(Name of the exhibition in the original language)

The up­co­ming ex­hi­bi­ti­on “Avant-gar­de. Max Lie­ber­mann and Im­pres­sio­nism in Ger­ma­ny” at the Mu­se­um Bar­be­ri­ni in Pots­dam from 28 Fe­bru­ary to 7 Ju­ne 2026 is de­di­ca­ted to Max Lie­ber­man­n’s in­fluence on the de­ve­lo­p­ment of Ger­man Im­pres­sio­nism. Lie­ber­mann, for­mer pre­si­dent of the Ber­lin Se­ces­si­on, brought the in­ter­na­tio­nal avant-gar­de to Ger­ma­ny and ope­ned up the Ger­man Em­pire to new ar­tis­tic trends. The ex­hi­bi­ti­on shows the the­ma­tic and sty­li­stic di­ver­si­ty of the ye­ars 1870 to 1930 and puts the spot­light not on­ly on fa­mous pain­ters such as Lo­vis Co­rinth, Max Sle­vogt and Lie­ber­mann hims­elf, but al­so on num­e­rous pre­vious­ly les­ser-known ar­tists.

In the light-floo­ded ex­hi­bi­ti­on rooms, vi­si­tors will en­coun­ter mo­re than 100 works from around 50 in­ter­na­tio­nal coll­ec­tions, in­clu­ding key works by Ma­ria Sla­vo­na, Les­ser Ury, Char­lot­te Be­r­end-Co­rinth and other prot­ago­nists of Ger­man Im­pres­sio­nism. In par­ti­cu­lar, the ro­le of fe­ma­le ar­tists in Im­pres­sio­nism is em­pha­sis­ed and ex­pan­ded to in­clude new per­spec­ti­ves. A chro­no­lo­gi­cal arc spans from the be­gin­nings in the 19th cen­tu­ry to the 1930s, and the ex­hi­bi­ti­on im­pres­si­ve­ly il­lus­tra­tes how the Im­pres­sio­nist spi­rit be­ca­me an avant-gar­de mo­ve­ment that had a las­ting im­pact on Ger­man art. The show is al­so part of a col­la­bo­ra­ti­on wi­th the Mu­se­um Frie­der Bur­da in Ba­den-Ba­den, whe­re it was pre­vious­ly on dis­play.

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