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Art bet­ween fi­gu­ra­ti­on and abs­trac­tion — Da­ni­el Rich­ter and the ex­hi­bi­ti­on “TORF”

Da­ni­el Rich­ter — TORF

(Name of the exhibition in the original language)

Wi­th the ex­hi­bi­ti­on “Da­ni­el Rich­ter. TORF”, the Mu­se­um of Art and Cul­tu­ral Histo­ry Schloss Got­torf will open an im­pres­si­ve chap­ter of con­tem­po­ra­ry pain­ting from 10 De­cem­ber 2025 to 15 Fe­bru­ary 2026. 58 works, most of them lar­ge-for­mat, will trans­form the ri­ding are­na on the mu­se­um is­land in Schles­wig in­to a vi­brant art ve­nue. The oc­ca­si­on for this ex­hi­bi­ti­on is the awar­ding of the Schles­wig-Hol­stein Busi­ness Art Pri­ze to Eu­tin-born Rich­ter, who­se pain­ting oscil­la­tes bet­ween fi­gu­ra­ti­ve nar­ra­ti­ve and abs­tract com­po­si­ti­on. This is his first ma­jor ex­hi­bi­ti­on in the north of Ger­ma­ny for mo­re than twen­ty ye­ars, af­ter he set a mi­le­stone in 2001 wi­th his so­lo ex­hi­bi­ti­on “Bil­li­ards at half past ni­ne” at the Kiel Kunst­hal­le.

Rich­ter’s works are cha­rac­te­ri­sed by bright co­lours, im­pres­si­ve con­trasts and emo­tio­nal depth. They re­flect so­cial and po­li­ti­cal the­mes as well as per­so­nal and my­tho­lo­gi­cal mo­tifs. As a pro­fes­sor at the Aca­de­my of Fi­ne Arts in Vi­en­na, Da­ni­el Rich­ter is now re­gard­ed as one of the most in­flu­en­ti­al per­so­na­li­ties of his ge­ne­ra­ti­on. His path from the sub­cul­tu­re of the 1980s to po­li­ti­cal en­ga­ge­ment and pain­ting reve­als an alert, cri­ti­cal and iro­nic spi­rit that has al­ways main­tai­ned a cer­tain di­stance from the me­cha­nisms of the art mar­ket. The “TORF” ex­hi­bi­ti­on ho­no­urs him as an ar­tist who comm­ents on the pre­sent wi­th an un­mist­aka­ble si­gna­tu­re style.

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